Paperblog A Brie Grows in Brooklyn

A Brie Grows in Brooklyn

"Mabel's not crazy... she's unusual."

Icon of the Week: Marie Laurencin

About half of my time spent alone with Caleb is having discussions about who has better taste in art and furniture. Half is definitely an exaggeration. Let’s say 75% of the time we’re talking about our relationship, 10% of the time about work, 10% of the time about ourselves, and 5% of the time we’re debating chairs.

Like the Herman Miller molded fiberglass Eames chair that we have in our living room, which abuts the “battleship,” more commonly referred to as the chaise lounge. 

“That thing is like a Bakelite bracelet,” I say to him. “Everyone wants to collect them, but no one actually sits in one.”

“I sit in it,” he says, walking over to it, and planting himself down. “It’s very comfortable.”

“It’s like sitting in a McDonald’s chair,” I say. “And no you don’t, not unless I challenge you to it.”

“I bought it at a flea market in San Francisco from an old lady who didn’t even know what she was sitting on,” he protested. 

“Her ass probably hurt like a motherfucker,” I say.

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Icon of the Week: Beverly Penn

A few years ago, in the midst of one of my worst depressions, I picked up Winter’s Tale by Mark Helprin. It was summer, and I was in the throes of an impossible romance. For a week, I rode the subway, and read it in the cool air—up to Harlem, and back to Brooklyn, from Queens to Manhattan, from Woodlawn to Union Square. Being underground with it was the only respite I had from my heat-induced misery. The book made me dream of snow and darkness and the emptiness of winter. It served as an outlet for all of my unrequited love, past and present and future. 

The book is stunning. It’s an elegy to the history of New York. It’s a fairy tale of biblical proportions. It’s a fantasy novel written well (ha! you thought that was an oxymoron). 

I’m trying to do justice to what it accomplishes, but I keep on typing sentences, and deleting them, because I can’t put into words how the book seems less a novel than a re-telling of some kind of epic, primal dream that I’ve had for years, but always wake up forgetting. A reviewer in the New York Times said it best:

“I find myself nervous, to a degree I don’t recall in my past as a reviewer, about failing the work, inadequately displaying its brilliance.”

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Photographer of the Week: Robert Capa
(A bizarrely lovely image of Pablo Picasso and Francoise Gilot by our war photographer)

Photographer of the Week: Robert Capa

(A bizarrely lovely image of Pablo Picasso and Francoise Gilot by our war photographer)

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