Paperblog A Brie Grows in Brooklyn

A Brie Grows in Brooklyn

"Mabel's not crazy... she's unusual."

“One of them, toothless, clad in a dirty tracksuit and a wool beanie, with a nebulous tattoo of a heart (which he gave himself when he was nineteen and in love with a cousin) partly covered over by a lion (which he gave himself six years later, when her father forbade her to marry him), told me one day, ‘When we were younger, we used to come here to swim and fish.’ And then, ‘Once, I was trying to pull a body from the river. The current was strong, I grabbed the body by its hand, and the arm came off.’”
I read “The River Martyrs,” an article by Luke Mogelson in The New Yorker, about the men who drag the bodies of people — men, women and children — out of the river in Aleppo after they’ve been killed by government forces. (I know, I’m weeks behind.)
I haven’t been paying much attention to the war — it seems so far away, and so unreal — which is why I think it’s important to read the piece. It brings the atrocities in Syria to life — I don’t know if we can, or should, do anything, but it certainly is more important than reading about failures in Benghazi, or whatever other nonsense is in the news this week.

“One of them, toothless, clad in a dirty tracksuit and a wool beanie, with a nebulous tattoo of a heart (which he gave himself when he was nineteen and in love with a cousin) partly covered over by a lion (which he gave himself six years later, when her father forbade her to marry him), told me one day, ‘When we were younger, we used to come here to swim and fish.’ And then, ‘Once, I was trying to pull a body from the river. The current was strong, I grabbed the body by its hand, and the arm came off.’”

I read “The River Martyrs,” an article by Luke Mogelson in The New Yorker, about the men who drag the bodies of people — men, women and children — out of the river in Aleppo after they’ve been killed by government forces. (I know, I’m weeks behind.)

I haven’t been paying much attention to the war — it seems so far away, and so unreal — which is why I think it’s important to read the piece. It brings the atrocities in Syria to life — I don’t know if we can, or should, do anything, but it certainly is more important than reading about failures in Benghazi, or whatever other nonsense is in the news this week.

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Incredibly scary news from Syria and Egypt this morning. In Aleppo, scores of men were found, bound and shot in the back of the head. It’s been a long time since I’ve been confronted with a photograph this disturbing. 

Incredibly scary news from Syria and Egypt this morning. In Aleppo, scores of men were found, bound and shot in the back of the head. It’s been a long time since I’ve been confronted with a photograph this disturbing. 

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Icon of the Week: Marie Colvin

By Bianca Ozeri

Marie Colvin looks so goddamn good with an eyepatch, she makes me want to force my sister to pry out my eyeball with a kitchen fork, my mother’s $7,000 couch the makeshift surgical table.

I always thought eye patches were reserved for hobos, halloween, and freaks failing at a godawful fashion trend and life. I did not know, as Brie would put it, that eyepatches were also for hot pieces. 

It seems, when one looks at Marie, that she lends an animate quality to that mystifying accessory. I can just here it, titillatingly whispering from it’s black abyss, “I’m the one you’ve been searching for. Come with me and know pain no more.” Come with you I would Marie Colvin, to hell and back. 

It is with a twinge of sorrow though that I quip about Miss Colvin’s absent left eye, for she did see hell, and lost her life to it on February 22nd. The journalism maestro was covering the ongoing violence in Homs — the epicenter of Syria’s fast scaling civil war — when she was caught in shellfire of regime soldiers who apparently obeyed orders to fire at American journalists. They also succeeded at murdering French photographer Rémi Ochlik, the only one who remained with Colvin, when all others had fled. 

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