Paperblog A Brie Grows in Brooklyn

A Brie Grows in Brooklyn

"Mabel's not crazy... she's unusual."

In the loving calm of your arms

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One of the most difficult things about being really busy is adjusting to the lull of when you’re not so busy afterwards. For me, this is especially challenging when the lull comes in the middle of the week, while everyone else is working, and I’m just sitting in my apartment in my three-day old workout clothes, catching up on “Game of Thrones” and eating Half Baked ice cream at 1pm in the afternoon. That’s like what people normally do on Saturdays. If they’re fat. And lazy.

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Yesterday, in an attempt to ward off the inevitable depression that usually accompanies guilt, I decided to do some challenging reading in my free afternoon. So I picked up Roland Barthes’ “A Lover’s Discourse,” and tried to begin it. “A Lover’s Discourse” is the book that Madeleine, the main female character in Jeffrey Eugenides’ novel “The Marriage Plot,” reads to get over her brilliant bipolar lover, Leonard. She met Leonard in a semiotics class at Brown University, the school I attended in real life.

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I feel sort of badly about the review I wrote in ArtReview of Ragnar Kjartansson’s The Visitors at Luhring Augustine, not least of all because everyone else I know completely loved it. I didn’t necessarily love it. 
The problem with The Visitors is that it offers the same sort of pleasure as, say, daydreaming what life would be like if it were lived in a spread from Dwell. The work is aspirational rather than meaningful: you wish you were sitting on the columned patio of the house, listening to the music rise from within, but you don’t walk away suddenly believing in God (as I did, for example, after sitting in the midst of Janet Cardiff ’s Forty Part Motet, 2001, at MoMA PS1). Or maybe you do, if your God looks like one of the guys from Bon Iver.
I love writing reviews though, I think it might be one of my passions. In any case, you can read the full piece here, along with a review by DEH.
And for those of you who don’t know, Kjartansson is the artist and musician who had The National play “Sorrow” for 6 hours last weekend at MoMA PS1. (Last weekend? Maybe the weekend before last.)
And Rokeby Farm is the crumbling 43-room mansion where the Astors used to live. The New York Times recently wrote a piece about it that’s definitely worth reading — the photographs alone are ripe for fantasy.

I feel sort of badly about the review I wrote in ArtReview of Ragnar Kjartansson’s The Visitors at Luhring Augustine, not least of all because everyone else I know completely loved it. I didn’t necessarily love it. 

The problem with The Visitors is that it offers the same sort of pleasure as, say, daydreaming what life would be like if it were lived in a spread from Dwell. The work is aspirational rather than meaningful: you wish you were sitting on the columned patio of the house, listening to the music rise from within, but you don’t walk away suddenly believing in God (as I did, for example, after sitting in the midst of Janet Cardiff ’s Forty Part Motet, 2001, at MoMA PS1). Or maybe you do, if your God looks like one of the guys from Bon Iver.

I love writing reviews though, I think it might be one of my passions. In any case, you can read the full piece here, along with a review by DEH.

And for those of you who don’t know, Kjartansson is the artist and musician who had The National play “Sorrow” for 6 hours last weekend at MoMA PS1. (Last weekend? Maybe the weekend before last.)

And Rokeby Farm is the crumbling 43-room mansion where the Astors used to live. The New York Times recently wrote a piece about it that’s definitely worth reading — the photographs alone are ripe for fantasy.

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Lollygagging on the Manhattan Bridge.

Lollygagging on the Manhattan Bridge.

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Walking to the F train, Saturday night.

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Me and the homies.

Me and the homies.

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A Great Story: Come To BKLYN Designs Tomorrow

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I have like 20 minutes of dead time between one project and another, so rather than lying down — I’ll never get up — I thought I’d write a post on this stupid fucking blog. I love writing on this stupid fucking blog.

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I’m a little bit superstitious. On Saturday morning, I got one disappointing piece of news — a print piece I had written had been pushed online, a fact that the editor assured me was actually good news because it would “get more readers.” For me, bad news comes in threes. So I searched for the other two disappointing events for the rest of the weekend, and found them, willfully.

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Safety first. @rikardkarlludvig

Safety first. @rikardkarlludvig

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Living life like rappers do.

Living life like rappers do.

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Having fun with tools.

Having fun with tools.

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There was a point when Caleb and I looked at each other yesterday, and both started hysterically crying. He from the stress of finishing his booth for BKLYN Design by tomorrow; me from the pressure of deadlines.
The good news is that there are lilacs blooming like weeds all over Brooklyn. In the rain today, they bow.

There was a point when Caleb and I looked at each other yesterday, and both started hysterically crying. He from the stress of finishing his booth for BKLYN Design by tomorrow; me from the pressure of deadlines.

The good news is that there are lilacs blooming like weeds all over Brooklyn. In the rain today, they bow.

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I’m kind of embarrassed showing these, not because Spoon + Fork didn’t do an awesome job, but rather because I sound like a fucking idiot. But here’s the final installation in the series of videos they did on my inspirations. If nothing else, watch it to see me creepily stroking Franke.

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Mining more images from Caleb’s trip to China. 

Mining more images from Caleb’s trip to China. 

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Caleb just returned from the Yellow Sea.

Caleb just returned from the Yellow Sea.

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Burn Your House Down: A Guide on Freedom from Material Posessions

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Those of you who work on deadlines know that half of the battle of finishing them is also finishing the equally unfavorable tasks that you pick to procrastinate with. For instance, rather than writing the big profile I have due tomorrow, I spent the afternoon cleaning out my closet. 

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When I run out of procrastination things to do, I freak the fuck out. Freaking the fuck out is like my MO whenever I’m under a lot of pressure. For instance, this morning, after running out of literally all other things I could possibly be doing, including changing the cat’s litter, cleaning the toilet, and washing off Franke’s ass, I finally sat down to write. “Just sit down, it will come out of you,” I had to tell myself. Then I had a full on moaning panic attack, ate a donut, made some more coffee, walked Franke, and breathed through my hands for a few minutes before settling down.

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