Paperblog A Brie Grows in Brooklyn

A Brie Grows in Brooklyn

"Mabel's not crazy... she's unusual."

One of my most deep rooted beliefs is that everyone is equal, in terms of abilities. One person may be born smarter than another, for example, but the less smart person may be more intuitive, or better at coping with adversity. Our society, as are all societies, are rigged in such a way that certain people appear more successful — the rigging system has mostly do with social class. The more money you have, the more successful you appear — if you keep that money, your kids will be successful as well, because they will have access to the best schools and the best networks. A kid who goes to Ivy League college, for instance, is the smartest kid only a percentage of the time — mostly, kids that go to Ivy League schools come from a lot of money. That sounds incredibly naive, but it’s something that I’ve felt in my gut since I’ve been very little. Another deep rooted beliefs is that human beings are inherently good, rather than neutral or evil, which probably has to do with the fact that I was heavily, heavily steeped in Catholicism before I could even breathe.
I’m not sure why equality popped into my mind when I read Larissa MacFarquhar’s profile in the New Yorker on Aaron Swartz, a computer hacker and inventor who killed himself this past January, ostensibly because he was facing going to jail after hacking thousands of Jstor articles. I was vaguely aware of Swartz because after he died, a lot of people posted on the Internet about how he was doing a service for the “people,” or some shit, but had to die, while the big banks were allowed to commit fraud consequence free. It stunk, quite frankly, of bullshit.
On a side note, while I appreciate the New Yorker allowing MacFarquhar to write in her own voice, and while I also think she’s really smart and talented, her articles are kind of gigantic messes. I end up feeling frustrated, after reading them, because there is so much more I want to know, and so little to be gleaned, factually, amongst all of the dead end theories and rhythmic prose.
I think MacFarquhar, in her own way, produced an interesting profile of a young man who had a deep-rooted sense that he was superior to most human beings. His suicide, from what I gleaned from the article, was less about being crushed by the man, and more about being unwilling to face the very ordinary consequences of breaking the law. He didn’t want to be in the same camp as the average joe. He considered himself to be above it all. He considered himself to be something of a deity.
But what struck me most was the way that his upbringing shaped his conception of himself within the world, which his father, in interviews, seemed very aware of. If he didn’t feel like going to school, his parents didn’t force him to go. If he didn’t feel like vegetables — apparently he thought he was a “supertaster,” so he only ate things that were white and yellow — he was allowed to opt out of them. 
“One effect of his upbringing was that he never internalized any notions about what he was supposed to be doing or not doing as a young person…he also never learned to do anything he didn’t want to do. ‘College is very important in that you’re forced to study stuff you’re not interested in,’ his father says. But he hated the bureaucracy of it, the dumb rules, the pointless assignments. ‘He just rejected that. It was like getting him to eat vegetables.’”
In another quote, from Lawrence Lessig: “He was freed of the discipling experiences of life. His parents got him out of school early, which was great because it allowed him to become somebody who wasn’t the product of puberty in a public school. But it was bad in the sense that it gave him a confidence about his own judgment, which is dangerous.”
Swartz was a smart guy who, in the end, did something almost childishly selfish because he couldn’t bear the thought that he had to do something he didn’t feel like doing — go to jail, take a job to pay for his legal bills, confront the wrongness of his own decisions. It struck me, reading it, that Swartz’s feeling of being excused from the prosaic merely by virtue of the fact that he was intelligent or talented is the problem of much of my generation. We inherently believe, when we receive Ivy League degrees and great jobs and lots of accolades for our projects that we are better than other people. And that, as Lessig says, is a dangerous position to be in.
Fortunately, I come from a fucking crazy family, so I never thought that I was particularly special, even though I was good at a few things, but I did, thanks to my mother, think that I was ordinary looking, of normal abilities, genetically predisposed to mental illness, an alcoholic, anemic, and that no one would ever come to my funeral. I also, despite having a privileged background, had to work my ass off. Working enforced my belief in equality even more deeply — there’s nothing like babysitting for a kid who had the exact same upbringing as you for a living that makes you realize how easily you fit the opposite role you once thought you were superior to.
Swartz never had that wake-up call. Perhaps he might have killed himself anyway, if he suffered from severe depression. Or perhaps being forced to do things even if he thought he was above them might have grounded him enough in this world that he stayed here. Either way, this is probably a stupid fucking theory, but I wanted to write it to somebody.

One of my most deep rooted beliefs is that everyone is equal, in terms of abilities. One person may be born smarter than another, for example, but the less smart person may be more intuitive, or better at coping with adversity. Our society, as are all societies, are rigged in such a way that certain people appear more successful — the rigging system has mostly do with social class. The more money you have, the more successful you appear — if you keep that money, your kids will be successful as well, because they will have access to the best schools and the best networks. A kid who goes to Ivy League college, for instance, is the smartest kid only a percentage of the time — mostly, kids that go to Ivy League schools come from a lot of money. That sounds incredibly naive, but it’s something that I’ve felt in my gut since I’ve been very little. Another deep rooted beliefs is that human beings are inherently good, rather than neutral or evil, which probably has to do with the fact that I was heavily, heavily steeped in Catholicism before I could even breathe.

I’m not sure why equality popped into my mind when I read Larissa MacFarquhar’s profile in the New Yorker on Aaron Swartz, a computer hacker and inventor who killed himself this past January, ostensibly because he was facing going to jail after hacking thousands of Jstor articles. I was vaguely aware of Swartz because after he died, a lot of people posted on the Internet about how he was doing a service for the “people,” or some shit, but had to die, while the big banks were allowed to commit fraud consequence free. It stunk, quite frankly, of bullshit.

On a side note, while I appreciate the New Yorker allowing MacFarquhar to write in her own voice, and while I also think she’s really smart and talented, her articles are kind of gigantic messes. I end up feeling frustrated, after reading them, because there is so much more I want to know, and so little to be gleaned, factually, amongst all of the dead end theories and rhythmic prose.

I think MacFarquhar, in her own way, produced an interesting profile of a young man who had a deep-rooted sense that he was superior to most human beings. His suicide, from what I gleaned from the article, was less about being crushed by the man, and more about being unwilling to face the very ordinary consequences of breaking the law. He didn’t want to be in the same camp as the average joe. He considered himself to be above it all. He considered himself to be something of a deity.

But what struck me most was the way that his upbringing shaped his conception of himself within the world, which his father, in interviews, seemed very aware of. If he didn’t feel like going to school, his parents didn’t force him to go. If he didn’t feel like vegetables — apparently he thought he was a “supertaster,” so he only ate things that were white and yellow — he was allowed to opt out of them. 

“One effect of his upbringing was that he never internalized any notions about what he was supposed to be doing or not doing as a young person…he also never learned to do anything he didn’t want to do. ‘College is very important in that you’re forced to study stuff you’re not interested in,’ his father says. But he hated the bureaucracy of it, the dumb rules, the pointless assignments. ‘He just rejected that. It was like getting him to eat vegetables.’”

In another quote, from Lawrence Lessig: “He was freed of the discipling experiences of life. His parents got him out of school early, which was great because it allowed him to become somebody who wasn’t the product of puberty in a public school. But it was bad in the sense that it gave him a confidence about his own judgment, which is dangerous.”

Swartz was a smart guy who, in the end, did something almost childishly selfish because he couldn’t bear the thought that he had to do something he didn’t feel like doing — go to jail, take a job to pay for his legal bills, confront the wrongness of his own decisions. It struck me, reading it, that Swartz’s feeling of being excused from the prosaic merely by virtue of the fact that he was intelligent or talented is the problem of much of my generation. We inherently believe, when we receive Ivy League degrees and great jobs and lots of accolades for our projects that we are better than other people. And that, as Lessig says, is a dangerous position to be in.

Fortunately, I come from a fucking crazy family, so I never thought that I was particularly special, even though I was good at a few things, but I did, thanks to my mother, think that I was ordinary looking, of normal abilities, genetically predisposed to mental illness, an alcoholic, anemic, and that no one would ever come to my funeral. I also, despite having a privileged background, had to work my ass off. Working enforced my belief in equality even more deeply — there’s nothing like babysitting for a kid who had the exact same upbringing as you for a living that makes you realize how easily you fit the opposite role you once thought you were superior to.

Swartz never had that wake-up call. Perhaps he might have killed himself anyway, if he suffered from severe depression. Or perhaps being forced to do things even if he thought he was above them might have grounded him enough in this world that he stayed here. Either way, this is probably a stupid fucking theory, but I wanted to write it to somebody.

Comments 11 notes
So, Jamie Lee Curtis wrote a Huffington Post article about how offended she was by Seth MacFarlane’s Oscar ditty, and I think her point of view is valuable, if only because she is an actress who has frequently shown her breasts on camera. 
“I am an actress who has bared her breasts in films to satisfy the requirement of the role I was asked to do — lucky to do, for in my case, those films were significant in my career. I didn’t like doing it. I didn’t ask if I could do them topless. I did what was asked of me for the part I was playing. Mostly asked by men.”
I just really wish someone would tell me why anyone would need to expose their breasts in a film, besides to increase commercial appeal. There seems to be no artistry in it — as there is no artistry in exposing your breasts on the red carpet. Let’s just call it what it is — when you decide to sign up for stardom, your body itself becomes a commodity that is traded in a male-dominated industry. Perhaps that sucks, but the only way women will change that is by refusing, across the board, to be exploited. Women need to take ownership over their own bodies in order for anything to change — they need to stop blaming the issue on other people.
Which brings me, obliquely, to something that has been on my mind all week. At risk of beating this issue to death, everyone is talking about Seth MacFarlane and his misogyny, but I haven’t heard a single person decry the greatest outrage of all — the fact that “Argo” won the Academy Award for best picture. I personally wasn’t offended by a single thing MacFarlane said — but I was horrified when, at the end of the ceremony, the stage filled with cocky, smug men who proclaimed themselves the “handsomest producers in Hollywood.” In the triumph moment of the awards season, women were entirely absent, as usual.
It was especially horrifying this year because Argo wasn’t even close to the best picture. It was a self-fellating project about how awesome the movie industry is. It can fucking change political history! The women who starred in it were whiney weaklings who kept on fucking up everyone else’s chances to leave Iran alive — and the narrative devolved into a ridiculous vaudeville road show at the end, with Iranian militants chasing down an airplane in a moving Jeep. If the scene had taken place in a Steve Martin film, it would have been hilarious screwball.
The best picture of the year, of all the pictures nominated, was clearly “Zero Dark Thirty.” “Beasts of the Southern Wild,” which would have been my next pick, didn’t even come close. While Ben Affleck had more than one opportunity to whine about not being nominated for “best director,” Kathryn Bigelow, the brilliant auteur behind “Zero Dark Thirty,” wasn’t mentioned a single time. I don’t even know if she was at the ceremony — if she was there, there isn’t a single picture of her that was circulated by the media.
As a woman, I was outraged by this. Yet again, a male-dominated industry chose a male-dominated picture to win is top accolade. Fuck the obsession with breasts — as women, let’s enter into the more serious discussion about why, in the arts, we’re still so frequently ignored, even when our output is so obviously better than any of the derivative, maudlin shit that continues to be lauded by the industry — and the media that shapes public opinions. 

So, Jamie Lee Curtis wrote a Huffington Post article about how offended she was by Seth MacFarlane’s Oscar ditty, and I think her point of view is valuable, if only because she is an actress who has frequently shown her breasts on camera. 

I am an actress who has bared her breasts in films to satisfy the requirement of the role I was asked to do — lucky to do, for in my case, those films were significant in my career. I didn’t like doing it. I didn’t ask if I could do them topless. I did what was asked of me for the part I was playing. Mostly asked by men.”

I just really wish someone would tell me why anyone would need to expose their breasts in a film, besides to increase commercial appeal. There seems to be no artistry in it — as there is no artistry in exposing your breasts on the red carpet. Let’s just call it what it is — when you decide to sign up for stardom, your body itself becomes a commodity that is traded in a male-dominated industry. Perhaps that sucks, but the only way women will change that is by refusing, across the board, to be exploited. Women need to take ownership over their own bodies in order for anything to change — they need to stop blaming the issue on other people.

Which brings me, obliquely, to something that has been on my mind all week. At risk of beating this issue to death, everyone is talking about Seth MacFarlane and his misogyny, but I haven’t heard a single person decry the greatest outrage of all — the fact that “Argo” won the Academy Award for best picture. I personally wasn’t offended by a single thing MacFarlane said — but I was horrified when, at the end of the ceremony, the stage filled with cocky, smug men who proclaimed themselves the “handsomest producers in Hollywood.” In the triumph moment of the awards season, women were entirely absent, as usual.

It was especially horrifying this year because Argo wasn’t even close to the best picture. It was a self-fellating project about how awesome the movie industry is. It can fucking change political history! The women who starred in it were whiney weaklings who kept on fucking up everyone else’s chances to leave Iran alive — and the narrative devolved into a ridiculous vaudeville road show at the end, with Iranian militants chasing down an airplane in a moving Jeep. If the scene had taken place in a Steve Martin film, it would have been hilarious screwball.

The best picture of the year, of all the pictures nominated, was clearly “Zero Dark Thirty.” “Beasts of the Southern Wild,” which would have been my next pick, didn’t even come close. While Ben Affleck had more than one opportunity to whine about not being nominated for “best director,” Kathryn Bigelow, the brilliant auteur behind “Zero Dark Thirty,” wasn’t mentioned a single time. I don’t even know if she was at the ceremony — if she was there, there isn’t a single picture of her that was circulated by the media.

As a woman, I was outraged by this. Yet again, a male-dominated industry chose a male-dominated picture to win is top accolade. Fuck the obsession with breasts — as women, let’s enter into the more serious discussion about why, in the arts, we’re still so frequently ignored, even when our output is so obviously better than any of the derivative, maudlin shit that continues to be lauded by the industry — and the media that shapes public opinions. 

Comments 175 notes
What a backdrop for an exit.
“After thanking the more than 100 cardinals collectively from a gilded throne in the Clementine Hall of the Apostolic Palace, the pope rose and greeted each of them individually. Draped in a red and gold mantle lined with snow-white ermine, Benedict clasped the cardinals’ hands as they removed their distinctive red skullcaps to greet him and kiss his ring…”

What a backdrop for an exit.

“After thanking the more than 100 cardinals collectively from a gilded throne in the Clementine Hall of the Apostolic Palace, the pope rose and greeted each of them individually. Draped in a red and gold mantle lined with snow-white ermine, Benedict clasped the cardinals’ hands as they removed their distinctive red skullcaps to greet him and kiss his ring…”

Comments 2 notes
I don’t have the time to write much today — yet — so in the meantime, I bring you a work by El Anatsui, whose gorgeous textiles are currently being shown at the Brooklyn Museum.

I don’t have the time to write much today — yet — so in the meantime, I bring you a work by El Anatsui, whose gorgeous textiles are currently being shown at the Brooklyn Museum.

Comments 22 notes

A Rant On Seth MacFarlane, But Not the Rant You Might Want to Hear

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I just wrote an incredibly long rant about why all of the blame being placed on Seth MacFarlane for the misogyny of the Oscars is pissing me off, but Tumblr deleted the whole thing. It’s probably for the better honestly. It was a real scree.

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I think that people just love getting angry about things, and it’s just something easy to pinpoint. But what women especially aren’t realizing is that by making uncomfortable, even sexist jokes, Seth MacFarlane was actually doing us more of a service than anything else. Because there’s a lot of offensive shit that goes on underneath the surface at the Oscars that no one talks about in an intelligent way, and by even bringing it up, MacFarlane is giving us room for discourse. If he hadn’t made a single off-color joke about women, it would have been far more offensive — then, he would have either been treating women like they were rareified, delicate objects that didn’t deserve the same treatment as men, who he disparaged equally.

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Here are some things I actually appreciated about his routine.

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1. The “We Saw Your Boobs” song

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Comments 38 notes
Stole this photo from Rikard, who is a friend of the people behind Animals, a performance collective that staged “Backstage at Horror Drag,” a killer show we both saw last week. Completely coincidentally, I was assigned to write a profile on them for Paper Magazine, due to appear in their “Most Beautiful” issue. Wish everyone I knew could have seen the performance — make sure to look out for Animals in the future.

Stole this photo from Rikard, who is a friend of the people behind Animals, a performance collective that staged “Backstage at Horror Drag,” a killer show we both saw last week. Completely coincidentally, I was assigned to write a profile on them for Paper Magazine, due to appear in their “Most Beautiful” issue. Wish everyone I knew could have seen the performance — make sure to look out for Animals in the future.

Comments 3 notes
Today is my second day of tons of meetings, which is especially weird because I almost never have to leave the house. Because I can’t write much, with the subway riding and socializing and small talk, I bring you a brutally honest Oscar Voter’s Ballot from the Hollywood Reporter. Apparently, the guy who narrates it is voting on his 85th Academy Awards — his commentary is both hilarious and insightful for Sunday night. Which I will be live blogging, by the way. Awww shit.
BEST ORIGINAL SONG
“This is No-Brainer City: ‘Skyfall’ is one of the best songs that has ever been in the best song category and Adele is f—-ing brilliant. Plus I think it’s about time that a James Bond song won best song. In a way, this is my F-you for not giving it to ‘Live and Let Die’ back in 1973. I will say that ‘Before My Time,’ which is sung by Scarlett Johansson, is pretty good. ‘Pi’s Lullaby’ I couldn’t remember if my life was on the line. ‘Everybody Needs a Best Friend’ is a simple song. And ‘Suddenly’ from Les Miserables is a very boring song and an absolutely blatant attempt to win a best song Oscar; that upsets me. If ‘Skyfall’ does not win I will fillet my next-door neighbor’s dog.”
(Picture of Jack Nicholson and Angelica Huston chosen out of laziness.)

Today is my second day of tons of meetings, which is especially weird because I almost never have to leave the house. Because I can’t write much, with the subway riding and socializing and small talk, I bring you a brutally honest Oscar Voter’s Ballot from the Hollywood Reporter. Apparently, the guy who narrates it is voting on his 85th Academy Awards — his commentary is both hilarious and insightful for Sunday night. Which I will be live blogging, by the way. Awww shit.

BEST ORIGINAL SONG

“This is No-Brainer City: ‘Skyfall’ is one of the best songs that has ever been in the best song category and Adele is f—-ing brilliant. Plus I think it’s about time that a James Bond song won best song. In a way, this is my F-you for not giving it to ‘Live and Let Die’ back in 1973. I will say that ‘Before My Time,’ which is sung by Scarlett Johansson, is pretty good. ‘Pi’s Lullaby’ I couldn’t remember if my life was on the line. ‘Everybody Needs a Best Friend’ is a simple song. And ‘Suddenly’ from Les Miserables is a very boring song and an absolutely blatant attempt to win a best song Oscar; that upsets me. If ‘Skyfall’ does not win I will fillet my next-door neighbor’s dog.”

(Picture of Jack Nicholson and Angelica Huston chosen out of laziness.)

Comments 9 notes
I love this essay on “Royal Bodies” by Hilary Mantel in the London Review of Books:
“I used to think that the interesting issue was whether we should have a monarchy or not. But now I think that question is rather like, should we have pandas or not? Our current royal family doesn’t have the difficulties in breeding that pandas do, but pandas and royal persons alike are expensive to conserve and ill-adapted to any modern environment. But aren’t they interesting? Aren’t they nice to look at? Some people find them endearing; some pity them for their precarious situation; everybody stares at them, and however airy the enclosure they inhabit, it’s still a cage.”
I wish I were Hilary Mantel so badly.

I love this essay on “Royal Bodies” by Hilary Mantel in the London Review of Books:

“I used to think that the interesting issue was whether we should have a monarchy or not. But now I think that question is rather like, should we have pandas or not? Our current royal family doesn’t have the difficulties in breeding that pandas do, but pandas and royal persons alike are expensive to conserve and ill-adapted to any modern environment. But aren’t they interesting? Aren’t they nice to look at? Some people find them endearing; some pity them for their precarious situation; everybody stares at them, and however airy the enclosure they inhabit, it’s still a cage.”

I wish I were Hilary Mantel so badly.

Comments 37 notes
Caleb got me into Kendrick Lamar’s album “good kid m.A.A.d city” last week. Lamar is the latest in the crop of white-friendly rappers, and I’m sure you’ve seen him in your local record store. When you Google his name, the search results also suggest “Kid Cudi,” “Rick Ross” and “Drake.” Awww shit. Those are my homeboys.
Anyway, the music doesn’t sound that great on ordinary speakers. But last night, driving around in our 1998 Jeep, tinted windows rolled up, bass tuned high, it was the fucking jam. The song to start your weekend? “Bitch Don’t Kill My Vibe.”

Caleb got me into Kendrick Lamar’s album “good kid m.A.A.d city” last week. Lamar is the latest in the crop of white-friendly rappers, and I’m sure you’ve seen him in your local record store. When you Google his name, the search results also suggest “Kid Cudi,” “Rick Ross” and “Drake.” Awww shit. Those are my homeboys.

Anyway, the music doesn’t sound that great on ordinary speakers. But last night, driving around in our 1998 Jeep, tinted windows rolled up, bass tuned high, it was the fucking jam. The song to start your weekend? “Bitch Don’t Kill My Vibe.”

Comments 8 notes
I’m so tired I can’t figure out how to finish a sentence, but I really like David Weddle’s article, “Lights Camera, Action. Marxism, Semiology, Narratology,” in the LA Times. I have a lot of thoughts on it, the most basic being that he’s one of the first people I’ve ever read to make a strong argument for why film theory — and critical theory in general — is fucking ridiculous.
In the piece, he quotes Roger Ebert: “Film theory has nothing to do with film. Students presumably hope to find out something about film, and all they will find out is an occult and arcane language designed only for the purpose of excluding those who have not mastered it and giving academic rewards to those who have. No one with any literacy, taste or intelligence would want to teach these courses, so the bona fide definition of people teaching them are people who are incapable of teaching anything else.”
I do think that theory has some value; one of the most profound sentences I’ve ever read is “there can be no poetry after Auschwitz,” which effectively, in a few disputed words — I mean disputed because no one, not even German people, can figure out to fucking translate them correctly — renders the Enlightenment null and void.
But most theory makes absolutely no sense, and seems designed to make all but a few people who have the time —and interest — to learn the language feel ridiculously stupid. My personal theory on theory has something to do with what Roger Ebert said — the more arcane the language, the more you best an academic rival, making theory an ego-based moronic pursuit — and something to do with the fact that most of these motherfuckers are, if we’re being simple about it, just absolutely shitty writers. 
There’s some problems with the article. Namely, why is the LA Times website so ghetto, isn’t it a major newspaper? And also, it’s a tad boring. But it falls into my wheelhouse of interest right now, which manifests in an internal argument, often spoken aloud in quiet rooms, about why people, intellectually, are so willing to play the emperor with no clothes game? And what sort of person makes the rest of the lemmings fall off a cliff — a sociopath? I wish I had more people to talk to, because I’m starting to feel like my skepticism might be a form of mental illness. 

I’m so tired I can’t figure out how to finish a sentence, but I really like David Weddle’s article, “Lights Camera, Action. Marxism, Semiology, Narratology,” in the LA Times. I have a lot of thoughts on it, the most basic being that he’s one of the first people I’ve ever read to make a strong argument for why film theory — and critical theory in general — is fucking ridiculous.

In the piece, he quotes Roger Ebert: “Film theory has nothing to do with film. Students presumably hope to find out something about film, and all they will find out is an occult and arcane language designed only for the purpose of excluding those who have not mastered it and giving academic rewards to those who have. No one with any literacy, taste or intelligence would want to teach these courses, so the bona fide definition of people teaching them are people who are incapable of teaching anything else.”

I do think that theory has some value; one of the most profound sentences I’ve ever read is “there can be no poetry after Auschwitz,” which effectively, in a few disputed words — I mean disputed because no one, not even German people, can figure out to fucking translate them correctly — renders the Enlightenment null and void.

But most theory makes absolutely no sense, and seems designed to make all but a few people who have the time —and interest — to learn the language feel ridiculously stupid. My personal theory on theory has something to do with what Roger Ebert said — the more arcane the language, the more you best an academic rival, making theory an ego-based moronic pursuit — and something to do with the fact that most of these motherfuckers are, if we’re being simple about it, just absolutely shitty writers. 

There’s some problems with the article. Namely, why is the LA Times website so ghetto, isn’t it a major newspaper? And also, it’s a tad boring. But it falls into my wheelhouse of interest right now, which manifests in an internal argument, often spoken aloud in quiet rooms, about why people, intellectually, are so willing to play the emperor with no clothes game? And what sort of person makes the rest of the lemmings fall off a cliff — a sociopath? I wish I had more people to talk to, because I’m starting to feel like my skepticism might be a form of mental illness. 

Comments 6 notes

A Farewell Letter From Pope Benedict XVI

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Dear Flock of Sheep,

On this day, the 11th of February, 2013, I hereby declare that I resign my position as Bishop of Rome, Sovereign of Vatican City and God’s direct messenger to his chosen people — jihadists, homosexuals and women obviously excluded. My tenure as Pope has been a short one; I would like it to be longer, but Federico Lombardo, bastard son of a whore and gnat in my ear —also the spokesman for the Church — tells me that my reign must come to a close because I am demented.

I personally think he is an idiot — while I was studying the holy scriptures of God, he was undergoing training to become the Holy See of the Press Office. While I was locked in my study, pouring over the word of God, he was receiving training on how to apply his own make-up for television appearances. While I was writing the doctrine for the 21st century church, he was editing 300 word press releases. While I was Tweeting the messages of our Lord Jesus Christ in seven languages, he was struggling to translate Italian Facebook posts into simple English. “How do you say ‘vafanculo’ in English?” he said to me the last time I told him to go whip himself in his cell for being disobedient. I tried to slap him in the mouth but oh, my Lord, my arms are so weak, and my muscles have begun to atrophy under the weight of my gold threaded vestments.

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On the Kardashians, Big Rich Atlanta, The Americans, and Somehow, As Always, Girls

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I’ve recently come to truly abhor winter. For a while, I loved it, because everyone stayed indoors and left me alone. I could go for runs in Prospect Park and not see another living soul. Then, I started working from home, and now I’m alone all of the time. One obstacle — other people — was removed, leaving behind an even greater obstacle — myself — and lately I find myself even more unhappy than I’ve ever been before. 

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In the summer, at least, I could spend large swaths of time outdoors. In Valentino Park in Red Hook, reading. Or at the Brooklyn Bridge Pool. Now, the waterfront of Red Hook smells like open sewage, and the Brooklyn Bridge pool has been dismantled.

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The weather has been so fucking wacko that I’m afraid to leave the house, because I’m never dressed properly. I thought it was supposed to be 50 degrees yesterday so I wore a dress and a leather jacket. WRONG. It was 50 degrees with 40 mph winds, and I was almost stripped of the skin off my bones.

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Last week, it was literally too cold to go outside. And this upcoming week promises only to be slightly warmer. Without any reason to leave, I am trapped here. Which is why I feel justified watching as much television as I can find on Project Free TV, my new illegal download site.

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Comments 7 notes
RIP Ed Koch. One time I saw you in a movie theater.

RIP Ed Koch. One time I saw you in a movie theater.

Comments 4 notes

Some Thoughts On Gun Control From Stuprendan

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My brother Stuprendan came to visit me last Friday in Brooklyn, and we got to talking about his high school midterms, which he had just finished. He told me he had been up until 2am the night before writing a term paper on gun control. The paper was 12 pages long, and it argued heavily for gun control—which is unsurprising, considering that my family is firmly anti-guns. 

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When we first moved into the house where my family lives, there were two hunters that would set up camp on the edge of the property. They had been given permission to do so by the family before us, but my mother didn’t like them being there.

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They didn’t even hunt with guns—they used crossbows and arrows—but my mother was afraid that one day, we’d be playing in the woods, and they’d actually mistake us for deer. That was entirely possible, considering that she encouraged us to spend most of our time outdoors—we had camps and tree houses all over the place, buried deep in the woods, where we would eat onion grass and pretend to survive the apocalypse. She asked them to leave. They snuck in through the entrance to the park adjacent to our driveway. Finally, after a few calls to the local police station, they disappeared for good.

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Incredibly scary news from Syria and Egypt this morning. In Aleppo, scores of men were found, bound and shot in the back of the head. It’s been a long time since I’ve been confronted with a photograph this disturbing. 

Incredibly scary news from Syria and Egypt this morning. In Aleppo, scores of men were found, bound and shot in the back of the head. It’s been a long time since I’ve been confronted with a photograph this disturbing. 

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